There is something so infectious about a dance sequence that, even in movies and TV shows in which they occur pretty much out of nowhere and, in theory, should not work, they still do in most cases. In fact, some of the most iconic and beloved numbers in pop culture history do not even come from titles categorized as musicals. Step back in time and review the following most cherished examples of the like.
Napoleon Has “Canned Heat” (Napoleon Dynamite)
While most of the dialogue is extremely quotable and Jon Heder’s title character is a one-of-a-kind instant comedy icon, if you ask me, the moment that 2004’s Napoleon Dynamite won audiences over is its centerpiece dance sequence. In a last-ditch effort to help his best friend, Pedro (Efren Ramirez), win class president, the nerd busts out some absolutely ridiculous, yet passionate, dance moves in an impromptu routine set to Jamiroquai’s “Canned Heat,” which earns a roaring round of applause from his classmates.
Nothing Suits Barney Like A Suit (How I Met Your Mother)
In the 100th episode of the beloved TV sitcom, How I Met Your Mother, Barney Stinson (Neil Patrick Harris) contemplates whether or not he should give up his suits forever in order to score with an attractive bartender who hates men in business attire. He then imagines an elaborate song and dance number professing his love for his wardrobe called “Nothing Suits Me Like a Suit,” featuring the rest of the snappily dressed cast.
Tom’s Dreams Are Coming True ((500) Days Of Summer)
It is moments like this that make 2009’s (500) Days of Summer one of the best romantic-comedy movies of its time. Tom Hansen (Joseph Gordon-Levitt) is so high on cloud nine after starting up a romance with Zooey Deschanel’s title role that he imagines the local townspeople are joining him for a brief dance set to Hall & Oates’ “You Make My Dreams Come True” during his morning commute.
“The Name Game” (American Horror Story)
Some of the most unsettling moments from American Horror Story masterfully utilize the power of juxtaposition, like in one of the most dazzling moments from Season 2, subtitled Asylum. After receiving shock therapy, Sister Jude (Jessica Lange) hallucinates that she is performing a rendition of Shirley Ellis’ 1964 pop hit, “The Name Game,” with her fellow patients at Briarcliff Manor.
Gutterballs (The Big Lebowski)
Joel and Ethan Coen’s 1998 cult favorite comedy The Big Lebowski is home to two of the most iconic movie dream sequences, with the second one easily taking the cake as the most wonderfully uproarious. Knocked out by Jackie Treehorn, The Dude (Jeff Bridges) imagines he and Maude Lebowski (Julianne Moore) are the stars of an adult film shot in the style of a Busby Berkeley dance number.
Joel Likes That “Old Time Rock And Roll” (Risky Business)
What is the exact moment that Tom Cruise became a movie star? I like to think that occurred in 1983’s Risky Business when the future Oscar nominee, as Chicago teen Joel, with the house to himself, celebrates his independence by dancing and lip-synching to Bob Seger’s “Old Time Rock and Roll” in his underwear.
Tina Opens The Movie (Do The Right Thing)
Writer and director Spike Lee prepares you for an unforgettable and subversive cinematic experience with an unforgettable and subversive opening to 1989’s Do the Right Thing. The opening credits play over Rosie Perez’s character, Tina, dancing solo to Public Enemy’s “Fight the Power,” making for a certainly unexpected and moving way to start a film with a lot to say about society.
Jim And Pam’s Wedding Party Dances Down The Aisle (The Office)
In the episode of the U.S. version of The Office when Jim (John Krasinski) and Pam (Jenna Fischer), the wedding party, instead of the traditional walk down the aisle, dance to Chris Brown’s “Forever,” which was originally written as a Doublemint Gum commercial. While this act goes against the couple’s wishes, it goes down in history as a memorably unique way to start the ceremony.
Nathan And Kyoko Tear Up The Dance Floor (Ex Machina)
Alex Garland is a writer and director who never fails to dazzle his audience, either with thought-provoking sci-fi concepts, brutally honest societal commentary, or epic dance sequences. All three of which are used to perfection in his 2015 technophobic classic, Ex Machina, when Oscar Isaac’s shady, eccentric tech billionaire, Nathan, and his companion, Kyoko (Sonoya Mizuno), shift the tone in a rousing way by interrupting Caleb’s (Domhnall Gleeson) interrogation by getting busy to “Get Down Saturday Night” by Oliver Cheatham.
“I’m Just Ken” (Barbie)
There had been a dance sequence earlier in 2023’s Barbie when Margot Robbie’s title hero hosts a party, but that was nothing out of the ordinary, even for a movie taking place in an alternate dimension where dolls are sentient. The film suddenly incorporates an elaborate, traditional Hollywood dance sequence when Ryan Gosling’s Ken expresses his frustration with feeling undervalued by Barbie in the Academy Award-nominated track, “I’m Just Ken.”
Jenna Thrills Her Colleagues (13 Going On 30)
One of the most iconic scenes from the hit fantasy rom-com, 13 Going On 30, sees Jennifer Garner’s Jenna (an ’80s teen trapped in the body of her future, adult self) try to liven things up at her company party by getting everyone to recreate the dance from Michael Jackson’s “Thriller.”
Rue’s Relapse (Euphoria)
After giving in to her addictive urges, Zendaya’s Rue imagines that she is in a music video for the actor’s haunting single, “All For Us,” which illustrates the complicated relationship she has with her family as a result of her habits. The sequence culminates in her being carried outside of her house by a sea of dancers in matching outfits, who also serve as her choir, at night, before a marching band joins in. It marks an invigorating, but also tragic, end to the first season of the provocative coming-of-age drama, Euphoria.
The Deetzes Do The Calypso (Beetlejuice)
One of the all-time greatest and funniest musical moments from a horror movie comes from 1988’s Beetlejuice. Hoping to scare the Deetzes (Jeffrey Jones and Catherine O’Hara) and their dinner party guests out of the house, the lingering spirits of Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) use bodily possession to manipulate them into dancing and singing to Harry Belafonte’s “Day-O (The Banana Boat Song).” Much to their surprise, they enjoy the experience.
Wally, Charley, And Rhonda Channel Bowie (School Spirits)
School Spirits is a TV show told from the perspective of ghosts who have passed away on a midwestern high school campus, where they struggle to cope with the parameters of their afterlife. Wally (Milo Manheim), who was a star athlete in the 1980s, lets off steam by putting on a vinyl copy of David Bowie’s “Let’s Dance” and leading his fellow ghostly friends in a wonderfully choreographed groove through almost the entire school.
Jamal And Latika Are Victorious (Slumdog Millionaire)
Director Danny Boyle’s Best Picture Oscar winner, 2008’s Slumdog Millionaire, ends with an upbeat dance number set to the Academy Award-winning original song, “Jai Ho” and led by Dev Patel and Freida Pinto as Jamal and Latika. It might have been surprising to some audiences to see this production suddenly include such a sequence, but it honors a longstanding tradition in Indian cinema.
The Kids Rock The Library (The Breakfast Club)
Many have argued that 1985’s The Breakfast Club is the greatest high school movie ever made, despite never taking place during school, but a Saturday detention shared by five teens who each represent a different rung of the teen social hierarchy. The unlikely friends attempt to break up the monotony with an impromptu dance to “We Are Not Alone” by Karla Devito.
“Tequila!” (Pee-wee’s Big Adventure)
One reason 1985’s Pee-wee’s Big Adventure remains a cherished classic is how Paul Reubens’ eponymous man-child wins over the hearts of nearly everyone he meets. For instance, he earns the respect of a bar full of bikers with his signature dance to The Champs’ rendition of the saxy tune, “Tequila.”
Don Dreams Of Bert Cooper Dancing (Mad Men)
AMC’s Mad Men had its fair share of off-kilter moments, none more perplexing than when Don Draper (Jon Hamm) suddenly has a vision of the recently passed advertising veteran Bertram “Bert” Cooper (Robert Morse) singing and dancing a performance of “The Best Things in Life Are Free.”
Andy Lets The Sunshine In (The 40-Year-Old Virgin)
Judd Apatow’s heartfelt, raunchy comedy, 2005’s The 40-Year-Old Virgin, ends with Steve Carell’s Andy finally losing his “innocence” and expressing his relief through song. The song in particular is The 5th Dimension’s “Aquarius / Let the Sunshine In,” which transitions into a dance in a wide-open field that the rest of the cast joins him for.
“Come On, Little Sister, Let’s Dance” (The Life Of Chuck)
There are not many Stephen King movies with scenes that leave you feeling invigorated and hopeful, but that is the general response to the centerpiece dance sequence in 2025’s The Life of Chuck, from writer and director Mike Flanagan. Tom Hiddleston’s title character crosses paths with drumming street performer, Taylor (Taylor Gordon), and spontaneously lets the music drive him, even inviting a random young woman named Janice (played by Annalise Basso) to join him, giving a crowd of bystanders the show of their lives.
Will Shows How They Dance In Gelderland (A Knight’s Tale)
A Knight’s Tale may take place in 14th-century Europe, but it boasts many modern sensibilities in everything from its dialogue to its soundtrack. For instance, in a scene when William Thatcher (Heath Ledger) is forced to come up with a dance to impress the royalty, he receives some help from his “foxy lady,” Jocelyn (Shannon Sossamon), and soon the entire dance floor is rocking out to what we hear as David Bowie’s “Golden Years.”
Raj’s Romantic Fantasy (The Big Bang Theory)
In one episode of The Big Bang Theory, Raj (Kunal Nayyar) finds himself attracted to Bernadette (Melissa Rauch), leading him to have multiple daydreams about her, including one reminiscent of an Indian Cinema dance sequence.
Donkey’s Swamp Dance Party (Shrek)
At the end of the Oscar-winning, acclaimed kids movie, Shrek, Smash Mouth’s cover of The Monkees’ “I’m a Believer” plays during Shrek (Mike Myers) and Fiona’s (Cameron Diaz) nuptials before Eddie Murphy’s Donkey takes over the vocals, leading the wedding guests in a breathless celebration of the event.
Terry And Holt “Push It” (Brooklyn Nine-Nine)
In one of the best episodes of Brooklyn Nine-Nine, Amy Santiago (Melissa Fumero) goes into labor in the police station during a city-wide blackout. In a hilarious effort to keep her calm and distracted, Lieutenant Terry Jeffords (Terry Crews) and Captain Holt (Andre Braugher) try dancing to Salt-N-Pepa’s “Push It.”
Dance Of The Dead (The X-Files)
In a Season 7 episode of The X-Files called “Hollywood A.D.,” Mulder (David Duchovny) and Scully (Gillian Anderson) investigate a murder on a movie set, where, at the end of the episode, corpses resting underneath are reanimated and indulge in a passionate ballroom dance with one another.
Harry’s Dream (3rd Rock From The Sun)
In an essential and bewilderingly surreal episode of 3rd Rock from the Sun, the Solomons experience their first-ever dreams. This proves to be a startling experience for the extra-terrestrial visitors, except for Harry (French Stewart), who imagines he is in an upbeat, urban Broadway production.
Ed Livens Things Up At The Mental Hospital (Good Burger)
In Good Burger, Ed (Kel Mitchell), Dexter (Kenan Thompson), and Otis (Abe Vigoda) are wrongfully committed to a mental hospital, where Ed responds to the request of a patient played by George Clinton himself to change to the music to something funkier, and tunes it to Funkadelic’s “(Not Just) Knee Deep.” He then leads most of the other patients in an impressively choreographed dance routine, which Dexter uses as an opportunity to knock out the guards and escape.
The Siblings Are Alone Now (The Umbrella Academy)
Netflix’s series adaptation of the hit comic book The Umbrella Academy has a clever way of introducing its superpowered main characters early on in the premiere episode. The adoptive siblings are seen grooving to Tiffany’s cover of “I Think We’re Alone Now,” each in a different location and boasting a different style of dance.
Backstreet’s Back In Heaven (This Is The End)
Seth Rogen and Evan Goldberg’s 2014 apocalyptic meta comedy This is the End ends with most of the main characters (actors portraying uproarious versions of themselves) meeting up in the afterlife, where they celebrate their ascent into Heaven with the Backstreet Boys, who also appear as themselves to perform “Everybody (Backstreet’s Back).”
Community Season 3 begins with Jeff (Joel McHale) daydreaming about a dance number, featuring the entire cast of characters, with a hopeful outlook on the next year at Greendale.
David’s Three-Way Dance Battle (Legion)
In the Season 2 opener of FX’s unconventional Marvel Comics adaptation, Legion, one of David’s (Dan Stevens) memories of the past year shows him at a club where the mutant engages in an intense dance battle with Lenny (Aubrey Plaza) and Oliver (Jemaine Clement).
Lucifer Is Alright (Lucifer)
The series finale of Lucifer opens with the Devil Incarnate (played by Tom Ellis) leading an upbeat ensemble dance sequence set to Kenny Loggins’ “I’m Alright,” which starts at a bar before transitioning to the police station, where Lucifer and Detective Dan (Kevin Alejandro) reenact an iconic moment from Dirty Dancing.
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