“I can put my whole fist in my mouth. Wanna see?” With those immortal words as Karen Smith in Mean Girls, Academy Award nominee Amanda Seyfried broke out into one of the most versatile actors working in the film industry today.
Having started her career in soap operas like As the World Turns and All My Children (alongside Michael B. Jordan), Seyfried got her first big break in Tina Fey’s Mean Girls. She had auditioned for the roles that would go to Rachel McAdams and Lindsay Lohan, but she left enough of an impression that they hired her to play Rachel’s dim-witted sidekick, Karen Smith. As Karen, Seyfried stole scenes with her delivery of such outrageous lines as, “So if you’re from Africa, why are you white?” Her performance would go on to win an MTV Movie Award for Best On-Screen Team alongside McAdams and Lohan.
She would continue to rise in popularity thanks to playing a fundamentalist Mormon in Big Love, Meryl Streep’s daughter in the highly successful Mamma Mia!, and Megan Fox’s best friend in the bloody cult classic Jennifer’s Body. When she wasn’t making audiences laugh their stitches off or sing along with her enchanting voice, she was making us fall in love with her in the romantic Channing Tatum odyssey Dear John.
Later in her career, she would showcase her dramatic talents in the tear-jerking Les Miséables, convince Ethan Hawke to not blow himself up in Paul Schrader’s religious meditation First Reformed, and portray renowned actress Marion Davis in David Fincher’s Mank, which earned her an Academy Award nomination.
Recently, Seyfried starred in the erotic thriller The Housemaid, which became a box office hit, earning over $130 million at the box office, and she also stars in yet another musical this weekend withThe Testament of Ann Lee, which earned rave reviews from critics for Seyfried’s sterling performance. To celebrate her amazing career of hits, classics, and gems, we’ve collected all Amanda Seyfried movies and television shows and sorted them by Tomatometer. Check out our list to see where your favorites rank! — Bryce Marrero
#1
Critics Consensus: Brought to life by delicate work from writer-director Paul Schrader and elevated by a standout performance by Ethan Hawke, First Reformed takes a sensitive and suspenseful look at weighty themes.
#2
Critics Consensus: Illuminated by Amanda Seyfried’s sterling performance, The Testament of Ann Lee accepts The Shakers’ founder on her own terms and reaches its own rhapsodic highs as a result.
#3
Critics Consensus: Elevated by a brilliant screenplay and outstanding ensemble cast, Mean Girls finds fresh, female-fronted humor in the high school experience.
#4
Critics Consensus: Poignant and piercingly honest, While We’re Young finds writer-director Noah Baumbach delivering some of his funniest lines through some of his most relatable characters.
#5
Critics Consensus: Sharply written and brilliantly performed, Mank peers behind the scenes of Citizen Kane to tell an old Hollywood story that could end up being a classic in its own right.
#6
Critics Consensus: Mamma Mia! Here We Go Again doubles down on just about everything fans loved about the original — and my my, how can fans resist it?
#7
Critics Consensus: Nine Lives is bolstered by a strong cast and features many insightful glimpses into the lives of women.
#8
Critics Consensus: One of director Atom Egoyan’s most successful efforts in years and a multidimensional showcase for Amanda Seyfried, Seven Veils dives from the rafters to make an uneven but ultimately insightful landing.
#9
Critics Consensus: A sly throwback to the lurid thrillers that used to dominate multiplexes, The Housemaid cleans up nicely thanks to its wicked sense of fun and a delightfully unnerving performance from Amanda Seyfried.
#10
#11
#12
#13
#14
Critics Consensus: Impeccably mounted but occasionally bombastic, Les Misérables largely succeeds thanks to bravura performances from its distinguished cast.
#15
Critics Consensus: A Mouthful of Air isn’t as emotionally impactful as it might have been, but Amanda Seyfried’s devastating performance lends the story weight.
#16
Critics Consensus: Though its narrative themes are all too familiar, Epic is beautifully animated and crafted with just enough flair to make for solid family entertainment.
#17
Critics Consensus: No consensus yet.
#18
Critics Consensus: No consensus yet.
#19
Critics Consensus: This jukebox musical is full of fluffy fun but rough singing voices and a campy tone might not make you feel like “You Can Dance” the whole 90 minutes.
#20
Critics Consensus: A glossy yet unflinching portrait of violent, hedonistic teenagers. Bruce Willis and Sharon Stone chew the scenery, while Justin Timberlake gives a noteworthy performance.
#21
Critics Consensus: Amanda Seyfried and Peter Sarsgaard do their best with the material, but Lovelace lacks enough depth and conviction to truly do its fascinating subject justice.
#22
Critics Consensus: Despite its promising pedigree and a titillating premise, Chloe ultimately fails to deliver the heat — or the thrills — expected of a sexual thriller.
#23
Critics Consensus: Amusing as a satire of Americans abroad but less convincing as a horror hybrid, I Don’t Understand You gets some mileage from Andrew Rannells and Nick Kroll’s chemistry but can’t quite overcome its tonal language barrier.
#24
Critics Consensus: Scoob! is fun enough for youthful viewers and some hardcore fans, but never quite solves the mystery of why audiences shouldn’t watch old episodes instead.
#25
Critics Consensus: Jennifer’s Body features occasionally clever dialogue, but its horror/comedy premise ultimately fails to be consistently funny or scary enough to satisfy.
#26
Critics Consensus: Ted 2 reunites Mark Wahlberg and Seth MacFarlane for another round of sophomoric, scatological humor — and just as before, your enjoyment will depend on your tolerance for all of the above.
#27
Critics Consensus: Its heartstring-tugging overtures may be difficult for dog lovers to resist, but The Art of Racing in the Rain is sentimental and contrived.
#28
Critics Consensus: Letters to Juliet has a refreshingly earnest romantic charm, but it suffers from limp dialogue and an utter lack of surprises.
#29
Critics Consensus: Gringo rounds up a bafflingly overqualified cast for a misfire of a comedy that’s fatally undermined by its messy plot, poorly conceived characters, and obvious debts to better films.
#30
Critics Consensus: You Should Have Left hints at a genuinely creepy experience, but never quite manages to distill its intriguing ingredients into a consistently satisfying whole.
#31
Critics Consensus: The Last Word proves Shirley MacLaine remains a wonderfully magnetic screen presence — and deserving of a far better vehicle for her considerable talents.
#32
Critics Consensus: The terrors in Things Heard & Seen are overwhelmed by a banal and uninspired adaptation that fails to connect to its haunting source material.
#33
Critics Consensus: Despite its intriguing premise, this earnest anti-gun polemic is too melodramatic to resonate.
#34
Critics Consensus: Lacking enough depth to fulfill its evident ambitions or enough excitement to work as a sci-fi action thriller, Anon lives down to its title in the most glumly predictable ways.
#35
Critics Consensus: In Time‘s intriguing premise and appealing cast are easily overpowered by the blunt, heavy-handed storytelling.
#36
Critics Consensus: While it offers a few laughs and boasts a talented cast, Seth MacFarlane’s overlong, aimless A Million Ways to Die in the West is a disappointingly scattershot affair.
#37
Critics Consensus: No consensus yet.
#38
Critics Consensus: Fathers and Daughters‘ name-brand cast can’t cover for a screenplay that makes a half-hearted effort at delving into family dynamics but falls back on melodrama.
#39
Critics Consensus: Built from many of the same ingredients as other Nicholas Sparks tearjerkers, Dear John suffers from its cliched framework, as well as Lasse Hallstrom’s curiously detached directing.
#40
Critics Consensus: Pan finds a few bursts of magic in its prequel treatment of classic characters, though not enough to offset the rushed plot and shrill, CGI-fueled action.
#41
Critics Consensus: The Clapper is tugged along by the valiant efforts of a talented cast, but it’s ultimately not enough to make this wan romantic comedy worth a watch.
#42
Critics Consensus: Love the Coopers has a talented cast and a uniquely bittersweet blend of holiday cheer in its better moments, but they’re all let down by a script content to settle for cloying smarm.
#43
Critics Consensus: No consensus yet.
#44
Critics Consensus: Amanda Seyfried is magnetic in Red Riding Hood‘s starring role, but she’s let down by her uninspired leading men and a painfully cliched script.
#45
Critics Consensus: The Big Wedding‘s all-star cast is stranded in a contrived, strained plot that features broad stabs at humor but few laughs.
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