The 20 Greatest Monica Bellucci Movies, Ranked

A household name in Italy and the rest of the world, Monica Bellucci is a top-notch model and actor. She had her breakthrough role in the arthouse movie The Apartment in 1996, which earned the star a César Award nomination for Most Promising Actress. However, Bellucci’s breakout was in Francis Ford Coppola‘s Bram Stoker’s Dracula, as it was the movie that introduced Bellucci to Hollywood and gave her some exposure.

Nevertheless, the star’s most memorable performances to date are arguably the tragic Malèna and the controversial Irreversible, which remain talked-about films even today. Later came her roles in American blockbusters like Spectre, for which she oozed charm and made history by becoming the oldest—and, arguably, one of the most elegant—Bond girls seen on screen. To celebrate her compelling career, we look back at the best Monica Bellucci movies so far.

20

‘Memory’ (2022)

Appeared as Davana Sealman

Monica Bellucci sitting on the couch in Memory
Image via Ketchup Entertainment

This one-person army action starring none other than Liam Neeson follows season assassin-for-hire battling early-stage Alzheimer’s. Struggling to outmaneuver his enemies while grappling with his deteriorating memory after realizing he has become the target of a powerful criminal organization, he must rely on his fading skills to survive.

While Neeson takes center stage in this Martin Campbell picture, Bellucci brings sophistication to her role as Davana Sealman, a key character who becomes woven into the moral dilemmas of Neeson’s hitman. Memory may be a tad too formulaic for its own good and not a groundbreaking film by any means. However, it is still popcorn entertainment for fans of action thrillers, particularly those who enjoy a more character-driven approach.

19

‘Under Suspicion’ (2000)

Appeared as Chantal Hearst

Monica Bellucci and Gene Hackman looking at each other in Under Suspicion
Image via Lions Gate Entertainment

While Under Suspicion may not be Bellucci’s most acclaimed feature, it showcases her presence in a gripping psychological thriller alongside two acting legends: Gene Hackman and Morgan Freeman. The Stephen Hopkins movie centers around a wealthy attorney in San Juan who comes to the police station for “10 minutes” of follow-up questions to find a 12-year-old girl’s body in a park. However, as the questioning intensifies, the night takes a tense and unexpected turn.

Those who enjoy slow-burn and dialogue-driven thrillers that keep audiences on edge are probably going to at least try and give Under Suspicion a watch. While Bellucci’s role as Chantal, the much younger wife of tax attorney Henry Hearst, is somewhat limited in terms of screen time, she delivers a magnetic performance and showcases her powerful screen presence, and her character’s strained relationship with her husband adds another layer of tension to Hopkins’ film. Though Under Suspicion received mixed reviews upon release, some viewers praised the movie’s performances.

18

‘Dobermann’ (1997)

Appeared as Nat the Gypsy

Monica Bellucci as Nathalie in Dobermann being kissed on the neck
Image via PolyGram Filmed Entertainment

Directed by Jan Kouen, Dobermann centers around the titular, ruthless criminal (Vincent Cassel), who leads a series of brutal bank robbers. However, after a complex bank robbery, they are hunted by the police in Paris, with sadistic Cop Christini (Tchéky Karyo) leading the mission.

Although not the very best of Monica Bellucci’s features (namely for its formulaic narrative, among other aspects), Dobermann is nonetheless an entertaining watch thanks to its style and performances. With an expected strong on-screen presence, Bellucci brings to life a fierce and fearless young woman who is a crucial part of the story, as she is the right hand for the film’s central character. Dobermann is visually rich and immersive, with Kounen’s direction capturing the plot’s gritty essence quite well.

17

‘On the Milky Road’ (2016)

Appeared as Bride

Monica Bellucci looking over her shoulder in On the Milky Road
Image via Phantom Film

Starring and directed by Emir Kusturica, On the Milky Road is a visually poetic and surreal war drama. The three-part film recounts three periods in a man’s life: his time as a lucky milkman navigating a war-torn landscape, his escapades and growing connection with the woman he loves, and his later life as a monk.

This 2016 film is a standout mostly for its unique blend of fantasy, romance, and war. Although it may not be for everyone, it is a nice pick for anyone who appreciates unconventional stories and visually rich films. Filled with the filmmaker’s signature surrealism and whimsical cinematography, it delivers visually pleasing visuals on top of its captivating performances—Bellucci, of course, is a highlight, gracing audiences with her compelling performance and ethereal beauty.

16

‘The Best Years of a Life’ (2019)

Appeared as Elena

Monica Bellucci as Elena smiling in The Best Years of a Life
Image via CDI Films

This sequel to Lelouch’s classic A Man and a Woman stars Jean-Louis Trintignant and Anouk Aimée in the lead roles and focuses on an old man looking back at memories of a former lover. Through the film, audiences are invited to take a glimpse into their affair as youngsters, tackling themes of love, time, and memory.

Bellucci is Jean-Louis’ daughter, Elena, stepping into the shoes of the character with warmth and tenderness, and adding emotion and vulnerability to the film. At its core, The Best Years of a Life is a great meditation on relationships, showcasing themes of love across different life stages and how they evolve with time. The chemistry between the two leads, played by Trintignant and Aimée, is also worth noting.

15

‘Tears of the Sun’ (2003)

Appeared as Dr. Lena Kendricks

Monica Bellucci in Tears of the Sun
Image via Columbia Pictures

Starring Bruce Willis alongside Bellucci in the lead roles, Tears of the Sun is yet another solid choice for war thriller aficionados. Set against the backdrop of the dense Nigerian jungle, Antoine Fuqua’s movie illustrates a Special-Ops commander leading his team to rescue a doctor who refuses to leave unless the team also rescues 70 refugees.

Bellucci shines as Dr. Lena Kendricks, a strong-willed and compassionate doctor who plays a huge role in the film’s core. The star brings both vulnerability and strength to the role, making Dr. Kendricks a compelling and likable character amid the movie’s intense chaos of war. Although it got mixed feedback, Fuqua’s movie is an engaging and visually striking picture with great chemistry between its two charismatic leads.

14

‘Spectre’ (2015)

Appeared as Lucia Sciarra

Monica Bellucci in Spectre smiling close-up shot.
Image via Sony Pictures

The twenty-fourth installment in the James Bond series centers around Bond’s quest to uncover the meaning of a cryptic message from the character’s past. He heads on an adventure to uncover the existence of the organization named SPECTRE and learns about who’s behind his anxieties and most recent missions.

Spectre is hardly the best Bond film of the bunch, with many considering it a complete miss for a number of reasons. However, the Daniel Craig-led picture is still worth the audience’s time, if not only for Bellucci’s charming Bond girl, Lucia Sciarra, the widow of one of Bond’s latest kills. Although her character was unfortunately underused, Bellucci made history by gracefully becoming the oldest Bond girl in the franchise’s decade-long story at the delightful age of 50.

13

‘The Whistleblower’ (2010)

Appeared as Laura Leviani

Monica Bellucci as Laure in The Whistleblower

Image via Samuel Goldwyn Films

Based on the real-life experiences of police officer Kathryn Bolkovac, the gripping The Whistleblower sees Rachel Weisz playing the cop who served as a peacemaker in post-war Bosnia and outed the U.N. for covering up a sex trafficking scandal.

While Kondracki’s film is not a groundbreaking masterpiece, it is a relevant picture that those keen on social commentary films may want to check out, as it sheds light on human rights violations and the complicity of those in power. Bellucci steps into the shoes of Laura Leviani, the head of the repatriation program who refuses to help repatriate young women. Despite being a supporting character in this entertaining true crime drama, she still delivers a solid performance during the screen time she is provided.

12

‘Shoot ‘Em Up’ (2007)

Appeared as Donna Quintano

Monica Bellucci as Donna Quintano in Shoot ‘Em Up looking worried.
Image via New Line Cinema

Following a gunman played by Clive Owen who teams up with a sex worker named DQ, brought to life by Bellucci, Shoot ‘Em Up sees its protagonist attempting to protect a newborn from further attacks after saving him from assassins. In the meantime, Smith and DQ attempt to unearth a dying senator’s scheme to harvest bone marrow from babies, while hitman Hertz (Paul Giamatti) tries to stop them.

While Shoot ‘Em Up’s plot sounds like it came straight out of a fever dream, the Michael Davis flick is actually good enough to keep viewers’ boredom at bay. Even if it is far from a masterpiece in the action genre, the 2007 feature is still worth checking out if only for its decent performances, including Bellucci’s, and action sequences that provide moviegoers with a dose of popcorn entertainment. Despite being something of a box office flop that earned less than half of its budget back, Shoot ‘Em Up was released to favorable reviews.

11

‘The Matrix Reloaded’ (2003)

Appeared as Persephone

Monica Bellucci in Matrix Reloaded
Image via Warner Bros.

The second installment in The Matrix franchise follows freedom fighters Neo (Keanu Reeves in one of his most iconic roles), Trinity (Carrie-Anne Moss), and Morpheus (Laurence Fishburne) as they lead the revolt against the Machine Army and attempt to change humankind’s tragic fate, which includes extinction.

Bellucci plays Persephone, the wife of the Merovingian (Lambert Wilson), in this entry to the beloved saga. She returns to The Matrix Revolutions and The Matrix Resurrections, although for an even smaller screen time. While none of these films are on par with the original and first installment when looking back at it, Reloaded is still an enjoyable watch with arguably better action sequences. Although the movie was well-received by critics and grossed over $739 million, it was also a bit divisive due to its confusing storyline.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.


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